![]() ![]() It doesn’t seem off base to imagine that this purported irony lies within the exclusionary nature of the spectacle: in the distance between those on the red carpet and those to the sides, the latter of whom allowed to merely attend and view the spectacle but never engage in it. Apparently, there is some kind of irony to this work, or at least that is what the synopses floating around attempt to claim. Edited together are a dozen or more red carpets from the Gala evenings organized by the Paris Opera at the Palais Garnier during the 1950s and 1960s. ![]() Ukrainian director Sergei Loznitsa ‘s latest piece of archival “found footage” cinema would appear to have been taken straight from television.
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